I found this book, by Kate Mascarenhas, more or less by chance. It was on the next shelf from where Arkady Martine’s next book should have been, and it was about time travel– I’m a sucker for anything about time travel. And in fact it’s really good! Once I was into it I had to keep going till I was done. And now I’m out of books.
The basic setup: four women– Margaret, Barbara, Grace, and Lucille– invent time travel, in 1967. One of them, Barbara, is overstressed and has a sort of breakdown in front of the media, and she’s kicked out of the group. The rest form an organization to manage time travel, the Conclave.
In July 2017 Barbara receives a cryptic note which turns out to be the report of a death six months in the future, and discusses it with her granddaughter Ruby. In January 2018, a girl named Odette finds a corpse in a locked boiler room… locked from the inside.
So, it’s a mystery, and an sf story, and true to its title it really is about the psychology of time travel: how it might mess with your head. What happens if you know the day you die? Or the day your loved one dies? More strangely yet… how do you grieve, or do you grieve, if after they die you can, whenever you want, take a trip into the past to see them again?
Fitting the subject, the structure of the book is all over the chronological map. Most of it centers on the murder and its aftermath in 2017-18, but chapters are set in the previous or following decades. There are quite a few characters, though the chief ones are named above.
Mascarenhas’s version of time travel is deterministic, and also future-oriented: time travel requires a receptive apparatus, so you can’t travel back before the device was invented. (You also can’t travel more than 300 years in the future. It’s hinted that the 24th century is pretty nasty, and perhaps all the machines are destroyed.)
Most of the focus is on the Conclave itself. Its structure is a baffling, because time travel sort of collapses its 300-year timespan. Any given agent may be given an assignment at a future or past time; people get intimately familiar with their past and future selves; you can even make a phone call to any Conclave employee at any time. There’s an extensive Conclave slang, which never changes since it’s shared over that entire time period. There are objects called “genies” which are acausal: a future you hands it to a younger you, so it exists uncreated in a years-long time loop.
A major subplot is a romance between Ruby and one of the pioneers, which has the brain-busting peculiarity that the lifespans of the two characters barely overlap. Romance is weird for time travelers: if they end up with a partner, they know who it is, often before they’ve met. Also, is it infidelity if, while you’re partnered, you also hook up with yourself?
The Conclave also turns out to be kind of a nasty thing. It’s located in London, but it’s outside the jurisdiction of British law, since the agents present at any one moment in time may be from anywhen, and it’s not clear what set of laws should apply. And it reflects the heavy hand of Margaret, at the top, and her determination that psychological problems like Barbara’s never recur. Naturally, worrying so hard about one problem leads into a set of opposite problems.
The book must have been hell to plot. It’s a lot of fun to explore all these concepts, and almost all of the characters are interesting to be with. (All the viewpoint characters are female; from an interview, it seems that the author tried male characters, and found that readers took the male characters as more important. So she just made everyone important be female.)
Mascarenhas works out lots of weird side-effects of time travel as the Conclave practices it, though I’m not sure they’re worked out enough. To try to explain without spoilers: information about future events is a phone call away. Sometimes the characters use this information; and to make the plot work, some of the characters (Barbara, Ruby, Odette) spend much of the book outside the Conclave and thus have to plod through normal time like regular humans. But some events proceed as if the Conclave weren’t using its own mechanisms. (Though, the timeline being unchangeable, perhaps the ultimate argument is “things happened that way because they did.”)
An example with spoilers: Odette joins the Conclave to dig up info. Because she had therapy, she is ineligible per Margaret’s rules, and she hides this for a time. When it’s revealed, she’s kicked out. There’s a testing process for entry, lovingly detailed; why isn’t part of it calling the future to see if she’s still employed in a month? There may be answers in this particular case– e.g. Odette is hired as a sort of internal detective, and perhaps policy is to not to mess with them. But the same issue comes up with larger plot points. E.g. after 2018 everyone knows that Margaret is a bit of a nutter. How could this be kept a secret before then, when travelers are constantly going back into her tenure? I don’t think these are flaws, it just worries me a bit.)