Since I’m still awake, I’ll write another review, this one of something I liked: Susanna Clarke’s Piranesi.
If you know nothing about it, it’s a fable, something of an urban fantasy. The title character lives in another world, which he calls the House– because it’s all one house or mansion. It extends for thousands of rooms in all directions, and despite years of exploration Piranesi has never found an end to it. The lower floors are filled with oceans; the upper floors with clouds. He lives off fish, shellfish, and seaweed he finds in the ocean, and he keeps an obsessive journal– the novel purports to be its 10th volume.
For company there are a few skeletons, and a mysterious man he calls the Other– the only living human he knows. The Other shows up twice a week for meetings. The Other is pursuing what he calls Great and Secret Knowledge which he thinks is hidden in the House; he does not search for it himself, but encourages Piranesi to explore. (He provides him with notebooks and pens.)
The first part of the book explores the House, the strange narrator, and his strange friend. Piranesi, oddly enough, is completely happy with his life. He has excellent recall of everything he’s seen in the House, and he’s satisfied with his daily routines and occasional longer journeys. Every room is full of statues, and he knows them all. He talks to the birds which fly through the halls, and leaves offerings to the skeletons. He regards the Other as a friend, though he is skeptical about the Great and Secret Knowledge.
This idyll is threatened by new knowledge– starting with a visit from another living person, who Piranesi calls the Prophet. The Prophet tells him things that put in question what he knows about the House, and the Other, and himself. He begins to explore these clues…
I won’t say here what he finds, except for what the book jacket reveals– that there is another world besides the House. And magic is involved.
The obvious comparison is to Borges’s Library of Babel– though the House is more a catalogue of the visual than the literary arts, and was more densely populated. It’s also reminiscent of Schuiten & Peeters’ brilliant and gorgeous French graphic novel La Tour (The Tower), which also depicts a near-infinite architectural monstrosity with few human residents and a mysterious origin.
Reviews usually mention C.S. Lewis’s The Magician’s Nephew, probably because it contains a few explicit references to it, and because the House also recalls the huge palace of Charn. But the comparison is not very illuminating. Piranesi’s House is not Charn: it’s not lifeless, it’s not the sinister end of an evil civilization, and there are no traces of Aslan or the Witch here. There is some human evil, but the House itself is– at least as Piranesi experiences it– a peaceful and even joyful place.
What it’s not much like is Clarke’s first novel, Jonathan Strange & Mr Norrell. I liked that one, but it takes a long time to get going, while Piranesi is just 245 pages. One thing they do share is that in both novels, Clarke commits to the bit, as comedians say. Strange is written in the form and diction of long 19th century novels, while Piranesi showcases the oddness of its main character, who learns all sorts of things during his adventures but never becomes what we’d call normal.
I liked the book a lot, and finished it in one long binge. Most everything gets explained eventually, at least one of the bad guys is dealt with satisfactorily, and Piranesi manages to adapt to his new knowledge without entirely losing the calm he found in the House.
It doesn’t explore its magic very thoroughly. I don’t think that’s a flaw, but it’s good to set expectations: if you like your sf ideas teased out in all their complications, this isn’t that.
I do think that– as with The Tower— the first half of the book works the best, when we are most exposed to the awesome and strange world of the House and don’t understand it yet. Schuiten & Peeters couldn’t really make the mystery pay off. I think Clarke does better at that, but some of the magic does leak out. One disappointment, perhaps (in white to avoid spoilers)… the Great and Secret Knowledge turns out to be a dud. Which is realistic, but it might have been more interesting if the Other’s project was more of an actual threat.