Short shameful confession: I liked Sin City, both the movie and the comic. Both are extremely over-the-top noir, and graphically stunning. There’s a sequel, and I finally got around to it— the chunkily named Frank Miller’s Sin City: A Dame to Kill For. (It’s directed by Robert Rodriguez and Miller, and came out in 2014, nine years after the original.)
Marv teams up with Catwoman
I read some reviews that mostly said “Kind of gross, but if you liked Sin City I guess you’ll like this.” And it is mostly more of the same: same extreme-o-noir, same green screen, many of the same stars, same nasty heroes, nastier villains, and warrior prostitutes. But not, unfortunately, the same fun. I think there’s several reasons for that.
One, it may be that one Sin City is about all we needed. It’s true that genre can get away with a lot of repetition, but you have to have a wider range of situations and emotions. Dashiell Hammett knew not to write a sequel to The Maltese Falcon where Spade gets a new partner, who’s killed, and there’s a new tempting woman who sends him on the hunt for, oh, the Templar Duck.
Two, the movie knows it had a good thing in Marv (Mickey Rourke), so it plasters him all over the movie. And Jessica Alba dances a lot, and Bruce Willis is there, as a freaking ghost. And Gail and Miho show up. When a work is in love with its own material, it’s usually a bad sign. It’s like nudging the audience and saying “See, didn’t you enjoy him in the first one? There he is again! Look!”
That might be OK if the new material was good, but I think it’s something of a step down. Dwight was my favorite character in the first film, maybe because of Clive Owen’s soft voice: he’s the only one who isn’t auditioning for Batman. Here he’s replaced by Josh Brolin. There’s a story reason for this, but never mind, it’s a downgrade; he’s just dumb and ugly. This is one of the few Sin City stories with a female villain, Ava (Eva Green, who single-handedly has to provide all of the film’s bare breasts). And… it shows that Frank Miller should stick to male villains. Philip Marlowe would have become an insurance salesman before being such as sap as Dwight.
There’s one odd omission. In the comic, Ava brings in crimelord Wallenquist, who gives her a rare rebuke: “I’ll warn you once and once only… Do not flirt with me, I have no use for your charms.” It’s minor, but it shows that there are limits to Ava’s power, and makes Dwight look like even more of a sap.
There’s two more new stories. One is a hotshot gambler who goes up against Senator Roark. I liked his cockiness, but the payoff is low. The other is a sequel to the story of Nancy (Jessica Alba) in the first movie. She’s like, all troubled and stuff. This feels like a cheat, because the only way Miller gets away with his bondage-gear babes is that they’re all also badasses. Plus, the whole point of her story arc in #1 was that she was a tough cookie herself, so why the regress? Fortunately this bit is over quickly, especially if you fast forward, and she puts on a goth outfit, takes Marv for backup, and goes off to commit badassery.
The stories interleave with those of the first film, in a way that probably makes no sense, but I’m not going to be bothered to work it out. Most of the stories feature Marv, which means they have to come before the first movie; but the Goth Nancy story is after the events of the first film.
It’s not all bad. Rourke does a good job, and whenever Gail, Miho, or Goth Nancy are onscreen it’s fun. Honestly I wish the movie had been all about Miho. They could have adapted “Family Values”, which features her.
The DVD also has a featurette showing the whole movie in green screen. It’s pretty amazing… pretty much everything but the characters is CGI, even if it’s a crappy apartment or the side of a road somewhere. Kudos to the actors who had to act as if they weren’t surrounded by ridiculous green walls and floors.