I picked this up during the last Steam sale, and just beat it. It’s surprisingly good.
Combat is not very hard– though the werewolves can be pretty nasty. I think I used about half a dozen healing potions for the whole game, but I wasn’t in challenging mode. You have swords, guns, and magic, and can switch between them easily. They each have their advantages. Guns can be used at far range; magic offers both ranged attacks and an area of effect spell; melee lets you block enemy attacks. I relied heavily on magic, with swords in second place.
The first part of the game is a standard RPG, where you fight enemies, do quests, explore the world, find allies, and level up. You start out as a princess (or prince), and your aim is to take over the kingdom from your evil brother Logan.
The tone is all over the place. Very early on there’s a rather arresting moral dilemma– a Joker choice. Logan has you decide whether to execute some rebels, or your own lover. Pretty serious stuff. Later on the tone is mostly lighthearted, indeed often silly in a particularly British way. (The chicken liberation, for instance. Or the snarking gnomes, or the side quest where you break up a marriage. The wizards running a tabletop game campaign is another highlight.) Another quest, once you get to the neighboring land of Aurora, verges on horror. I don’t think any of this is bad; it keeps the game lively.
So, you beat down Logan and become queen of Albion. And this is where the game gives you a serious shock. Logan was such a bastard because he was trying to raise money to meet a huge threat– an invasion of the kingdom. That’s your job now. To do it you’ll need 6,500,000 gold. Oh, and you had to make promises to your allies; now they come due, and they add a few million more gold in obligations.
In Oblivion (or Skyrim), you can become master of a guild– indeed, all the guilds. For this you get a few minor perks and pretty much nothing else. I always thought it’d be great if, once you ran the guild, you had to face problems at an entirely new level– rather than dungeons to clear, you’d have intrigue to manage, guild rivalries, financial troubles. Well, Fable III does this. Becoming queen turns out to be the easy part. Now you have to raise millions of gold in a limited time. And all the easy ways will make people hate you.
Fable III has the dreaded good/evil morality, but it’s the only game I know of that makes it work. That’s because the choices are not just changes in decor, or in a few slides in the post-game wrap-up. They affect the world– you can ruin entire regions of the map if you like. And they affect how all the NPCs feel about you.
More importantly, there’s a cost to doing good, and keeping your promises… namely, a cost of about 9,000,000 in gold. Evil, you see, translates as cheap and easy. Merely by betraying your friends and becoming a tyrant, you get scads of money and can easily raise the money to face the invasion. If you take the good path, you have to raise that money in other ways. That’s a really clever approach and, in fact, a pretty wise moral lesson.
Now, how do you raise the money? I did most of it by baking pies.
Beyond combat, you see, Fable III is a kind of medieval life simulator. You can meet people and interact with them to raise or lower their disposition. You can get married and have or adopt children. You can buy property or stores and get a share in the profits. And there are lucrative jobs available– blacksmith, lute player, and pie maker. They’re variants on a simple minigame. It’s just tedious enough to make the evil path tempting, but also requires just enough skill to keep you awake. (As opposed to, say, cutting lumber in Skyrim, which doesn’t even try to amuse you.)
A quarter hour of pie making, plus rent once you’ve bought up all the shops, should net you nearly half a million in gold. Those are pretty fabulous pies.
(Things I’d Wish I’d Known: maxing out any of the job costs ‘guild seals’, the game’s version of XP. Don’t waste your seals on more than one job type.)
(For being so evil, Logan is a piss-poor manager; he leaves you only a pittance in the treasury. Too bad he never learned how to make pies.)
The NPCs are always chattering, and on the whole more interestingly than in Skyrim. (They’ll even comment on the quality of the clothes you wear– though the clothes have no other function; there’s no idea of armor.) If you interact with them, it gets all symbolic. You can dance with them, hug them, kiss them– an interview I found mentions that they purposely made the interactions very tactile, in order to make you care for the little buggers. (If you want to be evil, there are options for being a jerk, too.) It’s pretty cute, really.
You can take someone’s hand and lead them somewhere… to bed, for instance. If you hit E on the bed, you get the very frank options “Sleep” and “Have sex”. The screen fades to black… but you get a full set of sound effects. It’s amusing rather than laviscious, but not many American games are quite this accepting. You can go on to marry your partner and raise children, and you can even have marriages in several cities.
When you interact with an NPC, the game helpfully tells you their sexual orientation. Disappointingly, I couldn’t find a single lesbian in Aurora. I did find a lesbian noblewoman, and I bought an expensive house in Albion’s aristo district for her. Leading her there, by the hand, we were attacked by werewolves and she was killed to death. Ouch. I consoled myself with my other two wives, and by renting out the expensive house.
The game has a kind of clever inventory management system: as a genuine hero, you have an extradimensional sanctuary, and you manage your costumes, weapons, and weapons there– under the attentive eye of your butler. At least it explains why you always have access to all this gear, something that’s a complete mystery in most RPGs. It actually works pretty well.
The voices are all delightfully British. I envy the Brits for having accents that are so well suited to medieval fantasy. American accents are too uniform, and are a bit jarring amid the cobblestones and thatched roofs. I thought the butler occasionally sounded rather Cleesean, and it turns out that this is because he’s played by John Cleese. Stephen Fry, Simon Pegg, and Ben Kingsley are also along for the ride.
I have just a few cavils. The sanctuary has a map, but it’s awkward for the (fortunately rare) bits where you have to find a place. (Normally you can just follow the sparkly lights.) Switching between quests is a little harder than it ought to be. I also apparently killed a civilian during the attack on the palace, which meant that for about a day half the people of Brightwall complained about my murdering ways.
There are extra weapons you can get in various ways, but they don’t really add much. (Neat idea, though: many come with attached achievements, which give you bonuses once they’re fulfilled.) There’s also the option to redecorate your homes, but the furniture options are pretty limited and this too could have been left out. Oh, and a health HUD would be useful.
I cut the game a lot of slack because it’s trying something really interesting– a fantasy simulation where hacking and slashing is not the solution to everything. I think it’s mostly but not perfectly successful. I think it could have used tougher combat and more variety and harder minigames in the relationship-building. Apparently your spouse(s) can become unhappy, but this never happened to me. Any relationship problems can be solved by more hugs and kisses, or slightly tedious fetch quests.
I appreciate the game’s switcheroo– the tyrant you thought you were fighting turns out to be doing what he thinks is the right thing, and you’re given the opportunity to do just as he did. Still, most of the choices are fairly simplistic, and there’s little point in being only partially evil. It’d be interesting if you had more or different kinds of options sometimes. (The closest I came was in deciding whether to rebuild the orphanage or build a brothel. Why can’t we have both?)
Some review I saw called it grindy, but I wouldn’t say that. The main and side quests are pretty well done, and there’s a lot of near-Pythonesque humor. Anyway, if you don’t like the grind of having to make all that money, you can just be evil.