It’s weird for me to watch and review a TV show that’s on now, but it’s on Netflix, so here we are.
I had pretty mixed feelings about the game Cyberpunk 2077; the anime by contrast is pretty good. In fact I feel like this would have been a much better direction for the game itself.
I’m not going to be entirely rapturous, but mostly because I’m not 17 anymore. If you are 17 and read my blog for some reason, no disrepect, this series was made for you and you may find it absolutely cool. It’s basically a heavy metal ballad: live fast, aim high, fuck the bastards and die in glory.
If you’ve been living in a cave or something, here’s the basics: the series is 10 episodes of half an hour each, focusing on David Martinez, a smart but poor boy living in Night City in 2076, studying to be a corpo. Ep 1 gives you a heady brew of cyberpunk: it starts with a braindance of a guy going cyberpsycho, killing a bunch of cops; we meet David’s hard-working mother, see David’s morose everyday life; he also knows a ripperdoc for some reason; the rich kids at school are bullying him; then life gets even worse. Everything costs money in Night City and when you have none, no one cares. You may play the game and want to live in Night City. Watching the anime, not so much. Kids, only you can prevent libertarianism.
Things pick up in Ep 2 when he meets Lucy, a girl way cooler than him who is nonetheless wasting time stealing chips from corpos on the el. David has recently acquired his first chrome, which allows him (among other things) to move superhumanly fast; it turns out he also has an unusual ability to integrate cyberware with his wetware (his big floppy meat brain). Lucy introduces him to a rising gang of mercs, who don’t like him much at first.
Now, C77 has a sequence of Movin’ Up with Jackie, where you rise from total noob to minor gangster in a five-minute montage. And that’s pretty much what eps 1 to 6 amount to…. and it just underlines the huge wasted opportunity in C77. The game doesn’t really get going until you’re already well established, with your own apartment. It skips what Edgerunners revels in: how easy is to fall out of the grid in Night City, the hopelessness of having nothing and no prospects, the slow climb up the crime ladder because that’s the only exit; slowly acquiring and getting to know your new crew, a la Saints Row.
In short, I would have watched twice as much David & Lucy on the rise (the interval between Eps 6 and 7, basically), and I would have played the hell out of that as a video game. Instead C77 gives you fucking Keanu.
At the same time, I’ve been watching Cowboy Bebop for the first time– both versions. They’re very similar: cyberpunk dystopia, lots of violence, heists gone bad, a simmering feud with a vicious enemy, a crew of loveable fuckups. More on this later, but a lot of the comparisons go Bebop‘s way. The characters in Bebop are more likeable, the stories and themes show far more range, and there’s a lot more actual sf going on. I understand that Edgerunners is just focused on doing one thing, and it does that pretty well. But Bebop is the more ambitious show, and it did all this 24 years ago.
The one thing Edgerunners has going for it is the animation. It’s not perfect– yeah, Studio Trigger, I can tell when you’re saving money– but it’s better, very stylish, and often innovative. (E.g. David’s superspeed is represented by multiple still images… that can’t be what it would actually look like, but it’s a perfect use of the medium.) So, Studio Trigger, please just re-animate Cowboy Bebop, leaving the soundtrack as is, mmkay?
Both game and anime are all about the ultraviolence. I’m guessing that that’s how the RPG plays too. It still disappoints me a bit because I want the cyber stuff: hacking, detecting, stealth, inscrutable graphics representing the inside of the Net. Otherwise it’s just a gang story where the guns are just, you know, surgically installed in your arm.
Now, while you’re watching, almost everything is cool and exciting– you can just let it all wash over you. But very little of it makes much sense on analysis. The TV Tropes name for this is fridge logic: stuff that you accept until half an hour later when you go to the fridge for snacks. The characters intelligence and skill level varies widely, according to plot needs. Enemy capabilities very even more widely: same. Character chooses to lie or clam up or reveal secrets: same. You can never tell who’s going to have a badass movement and who’s going to fuck up. (Bebop has this problem too.)
Now, some of this is probably intentional: it’s a tragedy, after all: people have to make mistakes and miscommunicate; they’re all damaged people; it’s a biz that encourages a certain reckless bravado. On the other hand, I think it kind of ruins the last two episodes, admittedly a point where they have to cram in a huge amount of plot. Specifically (mouse over to read):
Lucy is cool and calculating except when she needs to get captured. David’s new suit can blast through an entire military battalion, but he’s overcome by one guy in a mecha suit. Rebecca can blow up everything until she can’t. Kiwi does a heel turn, then a reverse heel turn, then gets played as a sucker. Arasaka has spent a fortune on this new cyberskeleton instead of just building more Adam Smashers. There is never a shortage of ammo and implants, but you can easily run out of immunosuppressants.
I’m going to show another scene which is a bit of a spoiler but reveals a lot about the show’s attitudes, positive and negative:
David is obviously a male power fantasy here, to the point of absurdity. And that’s OK, that’s the story they wanted to tell, and it’s told with a certain self-criticism, or typical Slavic pessimism: this is not a path that leads to a long happy life. It’s lampshaded early on: cyberpunk is about how you die.
Lucy is also part of the male fantasy. She is and remains cooler than David– on the whole Edgerunners is pretty good about making its female characters badasses– but she falls for him anyway. Also for some reason female hackers get naked while hacking. And while hanging out at home, apparently. (David does too. Saves on laundry bills, I guess.)
Now, I’m not criticizing Lucy, or the romance– quite the opposite, it’s the one element of sweetness in the story, and a very welcome one. But I do want to ask: why didn’t the writers consider telling Lucy’s story instead? It’s arguably way more interesting. They tell some of it: she started out poor as well, and got trained and nearly killed by Arasaka. Yet she became a very successful hacker, chill and smart and kind and never subject to cyberpsychosis, and she never felt the need for David’s gorilla-grade bulk. It’s the Ginger Rogers thing: she did everything Fred Astaire did, only backwards and in high heels.
If you want to see that idea taken through its paces– try Arcane, the animated show based very loosely on League of Legends. I’m not sure I’ll do a full review, but it also covers a lot of this ground, though with more a steampunk than a cyberpunk vibe. But it makes the smart decision to focus on the female badasses rather than the male wannabes they inexplicably fall in love with.